Artists & Brands

KATZ Alex

image UnitedStatesOfAmerica
1927
12 lots
image KATZ Alex

Alex Katz is an influential American artist known for his distinctive approach to portraiture and landscape painting. Born in Brooklyn, New York, he grew up during the Great Depression and later studied at the Cooper Union and the Skowhegan School of Painting and Sculpture. Katz developed a unique style characterized by flat planes of color, simplified forms, and a cool, detached aesthetic that set him apart from the dominant Abstract Expressionist movement of his time. His work often features friends, family members, and figures from the New York cultural scene, rendered with crisp lines and minimal detail. Paintings such as Ada—a recurring subject based on his wife—demonstrate his ability to capture personality through subtle gestures and composition. Katz’s large-scale canvases and use of bold color anticipate aspects of Pop Art, though he maintained a focus on observation rather than mass culture. Throughout his long career, Katz has remained remarkably consistent while continuing to experiment with scale and format, including cutouts and prints. His art emphasizes immediacy and clarity, inviting viewers to engage with surface and presence rather than narrative depth. Today, Alex Katz is widely regarded as a key figure in contemporary art, whose work bridges modernism and postmodern sensibilities.

image Black and White 2
Black and White 2
PaintingOil2004
Sold For
$96,000
May 2026Alex Katz|Black and White 2|Works from the Collection of Jannine and Robert MacDonnell|b. 1927|signed and dated 04 (upper right)|oil on board|9 by 12 in.|22.9 by 30.5 cm.|Executed in 2004.
image Study for Vincent
Study for Vincent
PaintingOil2004
Sold For
$61,440
May 2026Alex Katz|Study for Vincent|Works from the Collection of Jannine and Robert MacDonnell|b. 1927|signed and dated 04 (center right)|oil on board|16 by 12 in.|40.6 by 30.5 cm.|Executed in 2004.
image Give Me Tomorrow: Six Plates (Cantz 166-178)
Give Me Tomorrow: Six Plates (Cantz 166-178)
Painting1983
Sold For
€5,334
July 2025Alex Katz|Give Me Tomorrow: Six Plates (Cantz 166-178)|b. 1927|each signed in pencil and inscribed P.P. 3/3|six aquatints on Hahnemuele paper|plates: 307 x 267 mm. 12 x 10½ in.|sheets: 457 x 392 mm. 18 x 15⅜ in.|Executed in 1983, published in 1984, these impressions are printer's proofs aside from the numbered edition of 40 plus ten artist's proofs, co-published by Marlborough Graphics, Inc., and the artist.|(6 prints)
image Pink Roses 3
Pink Roses 3
UncategorizedOil2012
Sold For
$378,000
May 2024ALEX KATZ (B. 1927)| Pink Roses 3 | oil on linen| 60 x 60 in. (152.4 x 152.4 cm.)| Painted in 2012.|
image Hope
Hope
UncategorizedOil2012
Sold For
$390,600
May 2024ALEX KATZ (B. 1927)| Hope | signed 'Alex Katz' (on the overlap)| oil on linen| 50 x 40 in. (127 x 101.6 cm.)| Painted in 2012.|
image Orange Sunset #3
Orange Sunset #3
UncategorizedOil2004
Sold For
£81,900
March 2024ALEX KATZ (B. 1927)| Orange Sunset #3 | signed and dated 'Alex Katz 04' (upper right)| oil on masonite| 9 x 11 7⁄8in. (23 x 30.1cm.)| Executed in 2004|
image Eric and Anni
Eric and Anni
PaintingOil1983
Sold For
$1,500,000
November 2022ALEX KATZ (B. 1927)| Eric and Anni | oil on linen| 60 x 72 in. (152.4 x 182.9 cm.)| Painted in 1983.|
image Kristen
Kristen
PaintingOil2005
Sold For
$693,000
May 2022ALEX KATZ (B. 1927)| Kristen| signed and dated 'Alex Katz 05' (on the overlap)| oil on linen| 84 x 60 in. (213.4 x 152.4 cm.)| Painted in 2005.|
image Ada
Ada
PaintingOil2004
Sold For
£331,250
October 2020ALEX KATZ (B. 1927)| Ada | signed and dated 'Alex Katz 04' (on the overlap)| oil on canvas| 95 7/8 x 33 ½in. (243.6 x 85.2cm.)| Painted in 2004|
image Street Lights
Street Lights
PaintingOil2005
Sold For
£150,000
October 2020ALEX KATZ (B. 1927)| Street Lights | signed and dated 'Alex Katz 05' (on the overlap)| oil on canvas| 144 ¼ x 54 1/8in. (366.5 x 137.5cm.)| Painted in 2005|
image Branches
Branches
PaintingOil1983
Sold For
£20,000
April 2016Alex Katz (B. 1927)| Branches| signed and dated ‘Alex Katz 83’ (upper right)| oil on masonite| 16 1/8 x 12in. (41 x 30.5cm.)| Painted in 1983|
image Vicki and Wally
Vicki and Wally
PaintingOil1983
Sold For
$200,000
March 2015Alex Katz (1927) | Vicki and Wally | oil on canvas | 72 by 54 in. | 182.9 by 137.2 cm. | As early as the late 1950s, New York based artist Alex Katz had established his trademark style. Inspired by Matisse, Katz flattened form and heightened color, thinning his oils and significantly increasing the size of his canvases. In an era obsessed with abstraction, Katz fearlessly focused on portraiture, looking at the world around him, choosing as his models the people, places and things he knew, and shaping his glossy style with reference to memories. Katz respected the integrity of his craft, and retained classic painterly qualities even as his canvases became smoother during the 1960s and 1970s. In order to create depth and weight in his compositions he relied less on brushwork and more on the juxtaposition of flat planes of color and sharply edged lines. “I’m interested in painting new paintings,” Katz said. “I wanted to take a Newman or a de Kooning and knock it off the wall... [I’m most proud of] my surface. It’s one of the most original things a painter can do. It’s not in your face. It’s a recessive part of the painting. People don’t even notice it unless they’re painters. Painters can look at it, and I say, ‘Eat your heart out.’” (Anneliese Jakimides, “Katz’s Eye,” Bangor Metro, Bangor, ME, September 2008, pp. 36-39). Katz has made the point that his art is not of the moment, or dedicated to the passing scene. Many of his canvases, however, emphasize specifics of clothing, hair-styles and the more intangible elements of personality, time and place. This is true in the present work, which is a version of one of five panels comprising his monumental 1983 mural, Pas de Deux. In the series, Katz has focused his concern on the style of his subjects, specifically the clothing that each wore. All of the women are featured wearing Normal Kamali coats, and the men are displayed in sharply tailored suits and ties. “Style and appearance are the things I’m more concerned about than what something means,” Katz says. “I’d like to have style take the place of content, or the style be the content… I prefer it to be emptied of meaning, emptied of content.” (Richard Marshall, ”Sources of Style,” in Exh. Cat., New York, Whitney Museum of American Art, Alex Katz, New York, 1986, p. 13). This particular work, Vicki and Wally, features New York City residents Vicki Hudspith and Wally Turbeville. Hudspith was a poet and Turbeville was a lawyer with Goldman Sachs. In 1982, Hudspith had joined forces with Katz while directing the play Shopping and Waiting, for which Katz designed the set. Here, the couple is portrayed in a tight embrace, Hudspith’s narrow eyes staring blankly ahead while her husband, eyes closed, leans in to kiss her cheek. Unlike the version of this composition in Pas de Deux, the figures are not vertically cropped, and we see the entirety of their profiles against the dark background. Although set in the evening, Katz's gentle manipulation of light, shadow, pattern and color give the composition the same complexity and depth as brighter subjects. Hudspith’s bleach blond hair is complemented by the yellow in her husband’s tie, but otherwise in contrast to the dark shades of the picture. The couple exhibits a style and sophistication specific to their personal era, but Katz denies the viewer further clues about their narrative. Once again, the subject of the work turns away from the figures depicted and back towards the method of depiction, or the painted surface itself. The forms are strong and simple, the planes of are big and bold, and the canvas reflects a coolness that is fundamentally Katz.

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