Artists & Brands

ERNST Max

image Germany
1891 - 1976
9 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Oiseau tenant une branche dans son bec
Oiseau tenant une branche dans son bec
Painting1955
Sold For
£18,900
March 2025MAX ERNST (1891-1976)| Oiseau tenant une branche dans son bec | paper collage, olive tree branch and pencil on paper laid down on board| 11 7⁄8 x 15 in. (30 x 38 cm.)| Executed circa 1955|
image Mère et enfant
Mère et enfant
Uncategorized1955
Sold For
€31,500
September 2024Max Ernst (1891-1976)| Mère et enfant| signé 'max Ernst' (en bas à droite)| crayon de couleurs et frottage sur base lithographique sur papier marouflé sur panneau| 56 x 38 cm.| Exécuté en 1955|signed ‘max Ernst’ (lower right)|coloured crayon and frottage on lithographic base on paper laid down on panel |22 1⁄8 x 15 in.|Executed in 1955|
image Dormeuse
Dormeuse
PaintingOil1955
Sold For
$201,600
November 2022MAX ERNST (1891-1976)| Dormeuse | signed and dated 'max ernst 55' (lower right); signed and dated again and titled 'max ernst 1955 dormeuse' (on the reverse)| oil on canvas| 21 3/4 x 18 1/4 in. (57.7 x 46.4 cm.)| Painted in 1955|
image Le Cri
Le Cri
PaintingOil1955
Sold For
$100,800
May 2022Max Ernst|Le Cri|1891 - 1976|signed Max Ernst and dated 55 (lower right)|oil on panel|16⅛ by 12⅞ in.|41 by 32.6 cm.|Executed in 1955.
image Ohne Titel (This Means Happy Nights)
Ohne Titel (This Means Happy Nights)
Painting1946
Sold For
$52,920
May 2022MAX ERNST (1891-1976)| Ohne Titel (This Means Happy Nights) | signed and inscribed 'this means happy nights. max.' (lower right); signed again and dated 'Max Ernst 1946' (on the reverse)| blue ink on paper| 7 1⁄4 x 7 1⁄2 in. (18.4 x 19 cm.)| Executed in 1946|
image Oiseau tenant une branche dans son bec
Oiseau tenant une branche dans son bec
Painting1955
Sold For
€16,380
March 2022Max Ernst (1891-1976)| Oiseau tenant une branche dans son bec| graphite, collage et rameau d'olivier sur papier| 30 x 38 cm.| Exécuté vers 1955| | pencil, collage and olive tree branch on paper| 11 7⁄8 x 15 in.| Executed circa 1955|
image Ohne Titel (Untitled)
Ohne Titel (Untitled)
PaintingOil1946
Sold For
$1,030,000
November 2015Max Ernst (1891 - 1976) | Ohne Titel (Untitled) | Oil on canvas | 13 1/8 by 15 in. | 33.2 by 38.1 cm | The present work is one of Ernst's celebrated post-war paintings that features a jewel-like palette and elements of his new found surroundings in Sedona, Arizona. The bird appears as a trompe l'oeil in the center of the composition, surrounded by the intricate markings of Ernst's preferred painterly technique. The fantastic quality and the opulence of color Ernst witnessed in the mountains and deserts of the American West during the 1940s and early 1950s made a strong impression on him that carried over into his art. The works that he completed during these years evidence the artist's renewed optimism triggered by Europe's post-war recovery, and the present work can be interpreted in this spirit. In this richly colorful composition, Ernst employed the technique of grattage that he had created during the early days of the Surrealist movement. This process is most evident near the sharp edges delineating where the palette knife had smoothed and scraped the wet paint, sometimes revealing a darker color beneath the top layer of pigment. As is the case for the present work, Ernst's paintings of the post-war era exhibited a stylistic duality of composition and disintegration—a suitable metaphor for the times. According to Werner Spies, his mood during this period "was an ambivalent one, which [Ernst] paraphrased as follows: 'From "The Age of Anxiety" to "The Childhood of Art" only half a rotation of the orthochromatic wheel is required. Between the "Massacre of the Innocents" and "Stepping Through the Looking-Glass" lies an interval merely of one luminous night’... Ernst remained true to his early decision to strive for a symbolic painting in which open questions, and hence the unfathomable obscurity of existence, took precedence over simplistic positivist explanations and definitive stylistic results" (Werner Spies, Max Ernst, A Retrospective (exhibition catalogue), Tate Gallery, London, 1991, p. 252). As Gisela Fischer further notes: “Like aquatic worlds, these fantastic unreal landscapes seem to bring deceased life to light. Are the anthropomorphic cypresses and gnarled vegetation offering hiding places to the exotic figures and animal heads, or are the latter in fact growing, metamorphosis-like, from out of the plants? It seems we are observing the decay of life while at the same time witnessing the emergence of a new world peeling itself out to the past. Ernst’s European pictures concentrate on destruction and violence, and the works he made in exile likewise exude discomfort and uncertainty, but they are nevertheless utopian: mysterious landscapes extending off into the distance, illuminating the hope for a better future” (Werner Spies & Julia Drost, eds., Ernst Retrospective (exhibition catalogue), Albertina, Vienna & Fondation Beyeler, Basel, 2013, p. 259).
image C'est assez beau comme ça
C'est assez beau comme ça
PaintingOil1955
Sold For
£290,500
February 2015Max Ernst (1891-1976)| C'est assez beau comme ça | signed and dated 'max ernst 55' (lower right)| oil on masonite| 23 3/4 x 14 1/8 in. (60.3 x 35.8 cm.)| Painted in 1955|
image
PaintingOil1955
Sold For
£60,000
June 2006Max Ernst (1891-1976) Savonarola signed ´Max Ernst´ (lower right) oil on panel 8 5/8 x 10 5/8 in. (21.8 x 27 cm.) Painted in 1955

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