Artists & Brands

ERNST Max

image Germany
1891 - 1976
3 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Oiseau et cage: A Double-Sided Work
Oiseau et cage: A Double-Sided Work
Painting1948
Sold For
$7,040
February 2026Max Ernst|Oiseau et cage: A Double-Sided Work|1891 - 1976|signed max ernst (lower right)|colored pencil, frottage and pen and ink on paper|18 ⅛ by 24 in.|46 by 61 cm.|Executed circa 1948-49.
image Desert Sun
Desert Sun
PaintingOil1948
Sold For
£0
March 2022MAX ERNST (1891-1976)| Desert Sun | signed 'max ernst' (lower right)| oil on masonite| 7 3⁄8 x 33 3⁄4 in. (18.7 x 85.8 cm.)| Painted in 1948|
image Moon II
Moon II
PaintingOil1944
Sold For
£338,500
June 2014Max Ernst (1891 - 1976) | Moon II | oil on canvas | 66 by 80cm. | 26 by 31 1/2 in. | Moon II belongs to a series of nocturnal landscapes that Ernst executed in 1944, inspired by his stay in Arizona the previous summer. The fantastic quality and the opulence of colour he witnessed in the mountains and deserts of the American West made a strong impression on the artist, and are beautifully rendered in the present work in a richly layered composition and a kaleidoscopic colouration. Whilst Ernst executed a number of paintings showing the landscape bathed in bright sunshine (fig. 1), it was in his nocturnal pictures, such as Moon II, that he managed to capture the sublime magic of his surroundings. Ernst and Dorothea Tanning spent the summer of 1943 in Arizona, and Werner Spies described the ranch where they stayed as 'a marvellous spot on the bank of a creek that, fed by the glaciers of the San Francisco Mountains, came rushing down through a canyon (a kind of replica of the Grand Canyon on a human scale) to lose itself in the burning deserts to the south. The first fascinating thing about the place was its abundance of colour [...]. Then there were the rock formations, which resembled a great variety of things' (W. Spies, Max Ernst, A Retrospective (exhibition catalogue), Tate Gallery, London, 1991, p. 323). Discussing Ernst's works inspired by these surroundings, John Russell wrote: 'Arizona offered isolation, a celestial climate, a way of life that was both economical and free from suburban constraints. It offered the inspiration of supreme, natural beauty [...] Few things are more stirring than the fantastic forms and the irrational colouring of the mountains around Sedona. In the mid-1940s life and landscape in that region had an uncorrupted quality which made of Arizona a Promised Land in which a new life could be begun and an old one discarded [...] and although Max Ernst had never been a landscape painter, in the ordinary sense, it was deeply moving for him to come upon a landscape which had precisely the visionary quality that he had sought for on canvas' (J. Russell, Max Ernst: Life and Work, New York, 1967, p. 140).

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