Artists & Brands

ERNST Max

image Germany
1891 - 1976
21 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Le masque
Le masque
PaintingOil1964
Sold For
€88,900
October 2025Max Ernst|Le masque|1891 - 1976|signed Max Ernst (lower right)|oil on paper laid down on canvas|18 x 14,3 cm; 7⅛ x 5⅝ in.|Executed in 1964.
image Coquillage mer verte
Coquillage mer verte
PaintingOil1964
Sold For
£215,900
September 2025Max Ernst|Coquillage mer verte|1891 - 1976|signed max ernst and dated 64-65 (lower right); dated 1965 and inscribed une armée de harengs (on the stretcher)|oil on canvas|62.4 by 76 cm. 23⅝ by 29⅞ in.|Executed in 1964-65.
image L'oiseau magnétique
L'oiseau magnétique
PaintingOil1968
Sold For
£69,850
September 2025Max Ernst|L'oiseau magnétique|1891 - 1976|signed max ernst (lower right)|oil, wax crayon, gouache, pastel, pencil and collage on plywood|46.7 by 39 cm. 18⅜ by 15¼ in.|Executed in 1968.
image La Horde
La Horde
PaintingOil1927
Sold For
€0
September 2024Max Ernst (1891-1976)| La Horde| signé ‘max ernst’ (en bas à gauche)| huile sur toile| 46.5 x 38.8 cm.| Peint en 1927|signed 'max ernst' (lower left)|oil on canvas| 18 3⁄8 x 15 ¼ in. |Painted in 1927|
image Le Coquelicot de minuit
Le Coquelicot de minuit
PaintingOil1964
Sold For
€107,100
June 2024Max Ernst (1891-1976)| Le Coquelicot de minuit | signé 'max ernst' (en bas à droite)| huile sur panneau| 21.5 x 27 cm.| Peint en 1964.|signed 'max ernst' (lower right)|oil on panel |8 ½ x 10 5⁄8 in.|Painted in 1964.|
image Jeune homme traversant une rivière prenant par la main une jeune fille et en bousculant une autre
Jeune homme traversant une rivière prenant par la main une jeune fille et en bousculant une autre
PaintingOil1927
Sold For
£539,250
February 2020Max Ernst (1891-1976)| Jeune homme traversant une rivière prenant par la main une jeune fille et en bousculant une autre| signed 'max ernst' (lower right)| oil on canvas| 18 7/8 x 15 1/8 in. (47.8 x 38.3 cm.)| Painted in 1927|
image La mariée du vent
La mariée du vent
PaintingOil1927
Sold For
£662,500
February 2016Max Ernst (1891-1976)| La mariée du vent | signed 'max ernst' lower right| oil on canvas| 28¾ x 36¼ in. (73 x 92 cm.)| Painted in 1927|
image Une double vie
Une double vie
PaintingOil1964
Sold For
€123,000
June 2015Max Ernst (1891 - 1976) | Une double vie | oil on panel | 27 x 35 cm ; 10 5/8 x 13 3/4 in. | Condition: The panel is sound and the colours are fresh. Close examination reveals scratches and abrasions perhaps inherent to the grattage technique, and two pinholes in the upper section of the right edge. There are some thin lines of craquelure in the upper half of the composition. Under UV light, a network of lines fluoresces in the upper right quadrant, with a strip of retouching along the upper edge and some further strokes elsewhere in the sky. Otherwise this work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
image Fleur en oiseau embryonnaire
Fleur en oiseau embryonnaire
PaintingOil1927
Sold For
£75,000
February 2015Max Ernst (1891 - 1976) | Fleur en oiseau embryonnaire | oil on canvas | 35 by 27cm., 13 3/4 by 10 5/8 in. | Condition: The canvas is not lined. There is a thin layer of varnish preventing the UV light from fully penetrating. However, UV examination reveals a tiny spot of retouching to the black element directly above the central figure's beak. There is a very fine line of fluorescence which could relate to possible retouching on the extreme lower edge and to the lower half of the right edge. There is an area of wax to the reverse. There are some very fine lines of stable craquelure to the black pigment towards the lower centre of the upper half. This work is in overall good condition."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
image Trois jeunes filles en de belles poses
Trois jeunes filles en de belles poses
PaintingOil1927
Sold For
£194,500
February 2015Max Ernst (1891-1976)| Trois jeunes filles en de belles poses | signed 'max ernst' (lower right)| oil on canvas| 16 1/8 x 13 in. (41 x 33 cm.)| Painted in 1927|
image Amazon Forest
Amazon Forest
PaintingOil1964
Sold For
€109,500
June 2014Max Ernst (1891 - 1976) | Amazon Forest | oil on canvas laid down on panel | 40.5 by 30.4 cm ; 16 by 12 in. | "The forest symbolises the best of Ernstian nature, a nature that devours all who penetrate it. Thus the forest is often depicted as a hostile space for man, and the ideal place for danger and crime." (Henri Béhar, 'Qu’est-ce qu’une forêt ? L’interrogation de Max Ernst' in Revue Mélusine, Paris, no. XXI, p. 247)
image Forêt
Forêt
PaintingOil1927
Sold For
$386,500
November 2011Max Ernst (1891 - 1976) | Forêt | Oil on paper laid down on canvas | 10 3/4 by 14 3/4 in. | 27.3 by 37.3 cm | Painted in 1927, Forêt belongs to one of the most creative and groundbreaking periods in Max Ernst's oeuvre, marked by a constant stream of technical experimentation and invention. It was at this time also that the artist established his personal mythology, his visual universe of themes and images that were to become central to his entire career. Throughout 1927, Ernst's work was dominated by images of the natural world, such as forests, birds and seashells, and it was in the series of Forêt paintings of the 1920s that Ernst for the first time fully explored his newly developed grattage technique. His experimentations with ways of applying pigment onto the surface resulted in the discovery of frottage in 1925. Fascinated by the rich texture of wooden floorboards, he would place sheets of paper onto their surface and rub over them with graphite, thus arriving at fantastic, unexpected compositions. In the present work the glowing colours of the setting sun penetrate powerfully through the dense forest. Alexander Iolas, the noted collector and dealer of Surrealist art, was an early owner of the present work. Iolas championed artists as varied as Matta, Victor Brauner, Joseph Cornell, Niki de Saint-Phalle and, in particular, Max Ernst and René Magritte before they came to international prominence. After an early and successful career as a pianist and ballet-dancer, Iolas opened galleries in New York and Paris in the 1940s. His foresight into the intrinsic quality of an artist's work was invaluable to the development of Surrealist art.
An unhandled error has occurred. Reload 🗙