Artists & Brands

ERNST Max

image Germany
1891 - 1976
10 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Sans titre
Sans titre
PaintingOil1956
Sold For
€0
October 2025Max Ernst (1891-1976)| Sans titre| signé 'max ernst' (en bas à droite)|huile sur toile|64.8 x 53.8 cm.|Peint vers 1956| |signed ‘max ernst’ (lower right)|oil on canvas|25 ½ x 21 ¼ in.|Painted circa 1956|
image Sans titre (L'oiseau qui s'assoit et ne chante pas)
Sans titre (L'oiseau qui s'assoit et ne chante pas)
UncategorizedOil1926
Sold For
$630,000
November 2024MAX ERNST (1891-1976)| Sans titre (L'oiseau qui s'assoit et ne chante pas) | signed twice 'max ernst' (lower right)| oil, sand and grattage on canvas| 26 5⁄8 x 21 ¼ in. (68.3 x 54 cm.)| Painted in 1926|
image Paysage avec lac et chimères
Paysage avec lac et chimères
PaintingOil1940
Sold For
$2,460,000
November 2022MAX ERNST (1891-1976)| Paysage avec lac et chimères | signed ‘Max Ernst’ (lower right)| oil on canvas| 20 x 26 in. (50.8 x 66 cm.)| Painted circa 1940|
image Sans titre (soleil orange)
Sans titre (soleil orange)
UncategorizedOil1956
March 2022Max Ernst|Sans titre (soleil orange)|1891 - 1976|signed max ernst (lower right)|oil on canvasboard|24 by 32.8cm., 9½ by 12⅞in.|Framed: 41 by 50.7cm., 16⅛ by 20in.|Painted circa 1956.
image Forêt, Soleil, Nuage
Forêt, Soleil, Nuage
Painting1956
Sold For
€125,000
October 2021Max Ernst (1891-1976)| Forêt, Soleil, Nuage| signé ‘max ernst’ (en bas à droite); signé, daté et inscrit ‘max ernst FORÊT SOLEIL NUAGE 1956’ (au revers de la toile)| gouache sur papier marouflé sur toile| 81 x 65.2 cm.| Exécuté en 1956| | signed ‘max ernst’ (lower right) ; signed, dated and inscribed ‘max ernst FORÊT SOLEIL NUAGE 1956’ (on the reverse of the canvas)| gouache on paper laid down on canvas| 31 7/8 x 25 5/8 in.| Executed in 1956|
image Enseigne pour une école des cristaux
Enseigne pour une école des cristaux
PaintingOil1956
Sold For
€187,500
October 2020Max Ernst (1891-1976)| Enseigne pour une école des cristaux| signé 'max ernst' (en bas à droite; signé et daté indistinctement 'max ernst...' (au revers)| huile et grattage sur isorel| 52 x 178.4 cm.| Peint en 1956-57| | signed 'max ernst' (lower right); signed and dated indistinctly 'max ernst' (on the reverse)| oil and grattage on masonite| 20 ½ x 70 1/8 in. | Painted in 1956-57|
image Ohne Titel
Ohne Titel
PaintingOil1956
Sold For
£79,875
June 2013Max Ernst (1891-1976) | Ohne Titel | signed 'max ernst' (lower right); signed and dated 'max ernst 56' (on the reverse)| oil on panel | 9½ x 13 1/8 in. (24.2 x 33.2 cm.) | Painted in 1956 |
image GULFSTREAM
GULFSTREAM
PaintingOil1926
Sold For
£174,500
February 2008Max Ernst (1891-1976) | GULFSTREAM | oil on canvasboard | 55 by 46cm., 21 5/8 by 18 1/8 in. | The present work is part of the La Mer series that Ernst executed around the mid-1920s. During the summer of 1925 Ernst worked by the sea at Pornic in Brittany, and it was probably during this trip that inspired the sea imagery. This was a particularly eventful year for the artist: he signed his first commercial contract, which provided him the financial freedom to devote his time entirely to painting and experimentation; he participated in the first Surrealist group exhibition at the Galerie Pierre, and he developed the frottage technique, one of the most consequential inventions of career. Frottage consisted of placing paper over objects such as leaves or uneven surfaces, particularly those with wood graining, and rubbing the sheet over those forms and textures. This technique resulted in fantastical images that ignited the artist's imagination, and involved the element of chance, the key concept in Surrealist thought. This scraping technique reveals the image rather than painting it onto canvas, resulting in random, chance imagery. In this way, Max Ernst was the first to invent a way of applying automatism, previously practiced by the Surrealists in a literary medium, to painting.Adapting this practice to the medium of oil painting, Ernst would cover the canvas with layers of paint and place it over an uneven surface or an object. He would then scrape the pigment off the surface, and complex patterns would emerge. In the present work, he probably incised the wet oil surface with a comb, creating elegant, undulating lines that evoke the effect of currents and waves on the water surface. Discussing this grattage technique, Werner Spies wrote: 'Max Ernst laid his canvas over various objects with raised textures - pieces of wood and string, grates, textured glass panes - and, drawing the paint over them with a palette knife, brought forth the most vivid effects. In the course of the following years - years which William Rubin has called the 'heroic epoch of Surrealist painting' - this technique, known as grattage, led to astonishingly innovative imagery. The pictures became more abstract in effect, their formats larger. The dramatic force of these paintings, the richness of their scintillating colour, made them high points of imaginative Surrealist art in the late 1920s' (W. Spies, Max Ernst. A Retrospective (exhibition catalogue), Tate Gallery, London, 1991, p. 148).
image LES DEUX OISEAUX
LES DEUX OISEAUX
PaintingOil1926
Sold For
£192,500
February 2008Max Ernst (1891-1976) | LES DEUX OISEAUX | oil, plaster and sand on paper laid down on panel | 20 by 25.2cm., 7 7/8 by 9 7/8 in. | Condition: The panel is sound and there appear to be no signs of retouching visible under UV light. This work is in good original condition. Colours: An overall fairly accurate representation of the original."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
image
PaintingOil1940
Sold For
£990,850
February 2004Max Ernst (1891-1976) La fuite signed ´max ernst´ (lower right) oil on canvas 36¼ x 28¾ in. (92 x 73 cm.) Painted in 1940

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