Artists & Brands

ERNST Max

image Germany
1891 - 1976
16 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Sun over the desert
Sun over the desert
UncategorizedOil1925
Sold For
£863,600
March 2026MAX ERNST (1891-1976)| Sun over the desert | signed 'Max Ernst' (lower right)| oil and ink and paper collage on canvas| 25 5⁄8 x 21 ¼ in. (65 x 54 cm.)| Painted in 1925|
image Le tilleul et le châtaignier
Le tilleul et le châtaignier
Painting1925
Sold For
$201,600
November 2024MAX ERNST (1891-1976)| Le tilleul et le châtaignier | signed 'max ernst' (lower right)| watercolor, frottage and pencil on paper laid down on card| 10 ¼ x 16 7⁄8 in. (42.8 x 26.1 cm.)| Executed in 1925|
image Le Châle à fleurs de givre (Histoire Naturelle, Blatt 4)
Le Châle à fleurs de givre (Histoire Naturelle, Blatt 4)
Uncategorized1925
Sold For
€0
June 2024Max Ernst (1891-1976)| Le Châle à fleurs de givre (Histoire Naturelle, Blatt 4) | signé à l'envers 'max ernst' (en haut à gauche)| frottage et graphite sur papiers joints| 40.5 x 26.2 cm. |Réalisé en 1925.| |signed upside down 'max ernst' (upper left)| frottage and pencil on joined papers|16 x 10 ¼ in. |Executed in 1925.|
image Eclairs précoces
Eclairs précoces
Painting1925
Sold For
€25,600
March 2024MAX ERNST (1891-1976) | Eclairs précoces | |signé 'Max Ernst' (en bas à droite), titré et daté '1925 Eclairs précoces' (en bas à gauche)|frottage et crayon sur papier|Exécuté en 1925|signed 'Max Ernst' (lower right), titled and dated '1925 Eclairs précoces' (lower left)|frottage and pencil on paper|Executed on 1925|20.9 x 16.2 cm. |8 1/4 x 6 3/8 in.
image Ohne Titel
Ohne Titel
PaintingOil1925
Sold For
€126,000
October 2023Max Ernst (1891-1976)| Ohne Titel| signé 'max ernst' (en bas à droite)| huile et grattage sur carton| 27.2 x 22 cm.| Peint en 1925| | signed 'max ernst' (lower right)| oil and grattage on board| 10 ¾ x 8 ¾ in.| Painted in 1925|
image Les Deux Oiseaux
Les Deux Oiseaux
PaintingOil1925
Sold For
€226,800
April 2023Max Ernst (1891-1976)| Les Deux Oiseaux| signé 'max ernst' (en bas à droite)| huile et gesso sur papier de verre marouflé sur panneau; dans le cadre d'artiste en liège| Panneau: 26 x 20.5 cm.| Cadre d'artiste: 35.6 x 29.8 cm.| Exécuté vers 1925| | signed 'max ernst' (lower right)| oil and gesso on sandpaper laid down on panel; in the artist’s cork frame| Panel: 10 1/4 x 8 1/8 in.| Artist’s frame: 14 x 11 3/4 in.| Executed circa 1925|
image Le soleil noir or Tremblement de terre
Le soleil noir or Tremblement de terre
PaintingOil1925
Sold For
£458,500
February 2015Max Ernst (1891-1976)| Le soleil noir or Tremblement de terre | signed 'max ernst' (lower right)| oil and grattage on card laid down on canvas| 17 7/8 x 23 1/2 in. (45.5 x 59.5 cm.)| Painted in 1925|
image Couple oiseaux (Les Diamants conjugaux)
Couple oiseaux (Les Diamants conjugaux)
PaintingOil1925
Sold For
£389,000
February 2015Max Ernst (1891 - 1976) | Couple oiseaux (Les Diamants conjugaux) | oil on board | 49.2 by 34.5cm. | 19 3/8 by 13 5/8 in. | Painted in the most innovative period of Ernst's career, this work shows the development of his technical experimentation, as well as of the subject matter which was to dominate his œuvre. The surface of the work, with its rich impasto, has lunar quality; the areas of built-up white paint casting faint shadows and enriching the composition. Max Ernst’s Couple oiseaux belongs to a series of important works from the mid-1920s in which birds featured as the central motifs. The subject evidently fascinated Ernst who continually used birds in his work from the 1920s onwards. In 1925 he executed a number of paintings on the subject of the ‘Bird Marriage’, which show silhouetted pairs of doves such as can be found in the present work and the Staatsgalerie Stuttgart’s Vogelhochzeit (fig. 1). Diane Waldman writes: 'The bird theme, in which Ernst identifies himself with a bird, re-emerges from time to time throughout his career. This fascination is a recapitulation of Ernst's childhood memories and also appears to be a reference to Leonardo, whose fixation with a vulture was documented by Freud in his essay, Eine Kindheitserinnerung des Leonardo da Vinci, 1910. The bird stands for the flight and the fantastic and, of course, the intellect' (D. Waldman in Max Ernst (exhibition catalogue), The Solomon R. Guggenheim Museum, New York, 1975, pp. 40 & 41). The bird recurred in various guises as Hornebom, Dadamax or Loplop. These creatures became part of Ernst’s personal mythology and his Surrealist friends began to identify the important connection between the artist and his emblematic attachment to avian creatures. In 1926 Paul Eluard wrote a poem entitled Max Ernst, which contains the following lines: 'Devoured by feathers and left to the sea / He has let his shadow pass into flight / Of the birds of freedom...' (quoted in Werner Spies, Max Ernst, Loplop, London, 1983, p. 10).
image La Forêt
La Forêt
PaintingOil1925
Sold For
$243,750
May 2013Max Ernst (1891-1976) | La Forêt | signed 'max ernst' (lower right) | oil on canvas | 21¾ x 18 1/8 in. (55.3 x 46.1 cm.) | Painted in 1925 |
image Ohne Titel
Ohne Titel
PaintingOil1925
Sold For
£181,250
February 2013Max Ernst (1891-1976) | Ohne Titel | signed 'max ernst' (lower right) | oil on board | 10 5/8 x 8 5/8 in. (27.2 x 22 cm.) | Painted in 1925 |
image La Fleur du désert or La Rose du désert
La Fleur du désert or La Rose du désert
PaintingOil1925
Sold For
£914,850
February 2011Max Ernst (1891 - 1976) | La Fleur du désert or La Rose du désert | oil and graphite on canvas | 75 by 59cm. | 29 1/2 by 23 1/4 in. | La Fleur du désert belongs to the most innovative period of Ernst's career, executed in the year when he discovered the techniques of frottage and grattage. His experimentations with ways of applying pigment onto the surface from 1925 onwards resulted in a number of groundbreaking compositions. Fascinated by the rich texture of floorboards and other surfaces, he would cover them with a piece of canvas or sheets of paper and rub over them with oil or graphite. This produced various relief-like forms that suggested particular images to the artist, and by adding a few strokes by hand he would arrive at a fantastic, unexpected imagery.
image Tremblement de Terre
Tremblement de Terre
PaintingOil1925
Sold For
$1,142,500
November 2009Max Ernst (1891 - 1976) | Tremblement de Terre | Oil on canvas | 23 5/8 by 29 in. | 60 by 73.5 cm | Executed in the mid-1920s, the present work belongs to one of the most creative periods in Max Ernst's oeuvre, marked by a constant stream of technical experimentation and invention. It was during these years that the artist established his personal mythology, his visual universe of themes and images that were to become central to his entire career. One of Ernst's key subjects was geology and nature, and it was in this series of paintings of the 1920s that Ernst for the first time fully explored his newly developed grattage technique, as employed so effectively in the present work. His experimentations with ways of applying pigment onto the surface resulted in the discovery of frottage in 1925. Fascinated by the rich texture of the floorboards, he would place sheets of paper onto their surface and rub over them with graphite. This would result in various relief-like forms that suggested particular images to the artist, and with a few strokes added by hand he would arrive at fantastic, unexpected compositions. Adapting this technique to the medium of oil painting, Ernst would cover the canvas with layers of paint and place it over an uneven surface or an object. He would then scrape the pigment off the surface, and complex patterns would emerge. Discussing this grattage technique, Werner Spies wrote: "Max Ernst laid his canvas over various objects with raised textures – pieces of wood and string, grates, textured glass panes – and, drawing the paint over them with a palette knife, brought forth the most vivid effects. In the course of the following years – years which William Rubin has called the 'heroic epoch of Surrealist painting' – this technique, known as grattage, led to astonishingly innovative imagery. The pictures became more abstract in effect, their formats larger. The dramatic force of these paintings, the richness of their scintillating colour, made them high points of imaginative Surrealist art in the late 1920s" (W. Spies, Max Ernst. A Retrospective (exhibition catalogue), Tate Gallery, London, 1991, p. 148).
image
PaintingOil1925
Sold For
£54,000
June 2007MAX ERNST 1891-1976 FORÊT Painted in 1925. signed Max Ernst (lower left) oil on panel
image
PaintingOil1925
Sold For
£276,000
February 2007MAX ERNST 1891-1976 LA MER Painted in 1925. signed max ernst (lower right) and titled (lower left); signed max ernst on the reverse oil on canvas mounted in a frame by Pierre Legrain
image
PaintingOil1925
Sold For
$777,600
May 2006l - MAX ERNST 1891-1976 LA FORÊT CLAIRE Painted in 1925-26. Signed Max Ernst (lower left) Oil on canvas Painted in 1925-26. Signed Max Ernst (lower left) Oil on canvas
image
PaintingOil1925
Sold For
£57,600
June 2004MAX ERNST 1891-1976 OISEAU Painted in 1925. signed Max Ernst (upper right) oil on sandpaper laid down on canvas

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