Artists & Brands

ERNST Max

image Germany
1891 - 1976
25 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Le monde est une fable (Le temps est un songe)
Le monde est une fable (Le temps est un songe)
PaintingOil1960
Sold For
$254,000
May 2026MAX ERNST (1891-1976)| Le monde est une fable (Le temps est un songe) | signed 'max ernst' (lower right); signed again, titled and dedicated 'Le monde est une fable à Raymond Loewy. max ernst' (on the reverse)| oil on canvas| 25 3⁄8 x 21 ¼ in. (64.5 x 54 cm.)| Painted in 1960|
image Paysage jaune
Paysage jaune
PaintingOil1960
Sold For
€96,000
April 2026Max Ernst|Paysage jaune|Property from a Prestigious European Collection|1891-1976|signed max ernst (lower right)|oil on panel|24,1 x 33,2 cm; 9½ x 13⅛ in.|Executed circa 1960.
image Sun over the desert
Sun over the desert
UncategorizedOil1925
Sold For
£863,600
March 2026MAX ERNST (1891-1976)| Sun over the desert | signed 'Max Ernst' (lower right)| oil and ink and paper collage on canvas| 25 5⁄8 x 21 ¼ in. (65 x 54 cm.)| Painted in 1925|
image Simplicity
Simplicity
UncategorizedOil1960
Sold For
€330,200
October 2025Max Ernst (1891-1976)| Simplicity| signé et daté 'max ernst 60' (en bas à droite); signé, daté et inscrit 'Simplicity max ernst 1960' (au revers)|huile et grattage sur toile|116 x 89.2 cm.|Peint à Huismes en 1960| |signed and dated 'max ernst 60' (lower right); signed, dated and inscribed 'Simplicity max ernst 1960' (on the reverse)|oil and grattage on canvas|45 5⁄8 x 35 1⁄8 in.|Painted in Huismes in 1960|
image Le soleil sur terre
Le soleil sur terre
UncategorizedOil1960
Sold For
£76,200
October 2025MAX ERNST (1891-1976)| Le soleil sur terre | signed 'max ernst' (lower right)| oil and décalcomanie on paper| 9 7⁄8 x 7 1⁄8 in. (25 x 18 cm.)| Painted in 1960|
image Le tilleul et le châtaignier
Le tilleul et le châtaignier
Painting1925
Sold For
$201,600
November 2024MAX ERNST (1891-1976)| Le tilleul et le châtaignier | signed 'max ernst' (lower right)| watercolor, frottage and pencil on paper laid down on card| 10 ¼ x 16 7⁄8 in. (42.8 x 26.1 cm.)| Executed in 1925|
image Le Châle à fleurs de givre (Histoire Naturelle, Blatt 4)
Le Châle à fleurs de givre (Histoire Naturelle, Blatt 4)
Uncategorized1925
Sold For
€0
June 2024Max Ernst (1891-1976)| Le Châle à fleurs de givre (Histoire Naturelle, Blatt 4) | signé à l'envers 'max ernst' (en haut à gauche)| frottage et graphite sur papiers joints| 40.5 x 26.2 cm. |Réalisé en 1925.| |signed upside down 'max ernst' (upper left)| frottage and pencil on joined papers|16 x 10 ¼ in. |Executed in 1925.|
image Eclairs précoces
Eclairs précoces
Painting1925
Sold For
€25,600
March 2024MAX ERNST (1891-1976) | Eclairs précoces | |signé 'Max Ernst' (en bas à droite), titré et daté '1925 Eclairs précoces' (en bas à gauche)|frottage et crayon sur papier|Exécuté en 1925|signed 'Max Ernst' (lower right), titled and dated '1925 Eclairs précoces' (lower left)|frottage and pencil on paper|Executed on 1925|20.9 x 16.2 cm. |8 1/4 x 6 3/8 in.
image Der abwaschbare Priesterkragen
Der abwaschbare Priesterkragen
Uncategorized1960
Sold For
€1,280
March 2024MAX ERNST (1891-1976) | Der abwaschbare Priesterkragen | |signé dans la planche 'Max Ernst' (en bas à droite) ; dédicacé à Man Ray 'To Man from Max' (au revers)|Offset en noir réhaussé au crayon gras de couleur sur vélin et réalisé d'après le collage intitulé « le col du prêtre »|Exécuté circa 1960|signed in the plate 'Max Ernst' (lower right) ; dedicated to Man Ray 'To Man from Max' (on reverse)|Offset in black with coloured oily stick highlights on vellum, based on the collage entitled « le col du prêtre »|Executed circa 1960|15 x 12.3 cm. |5 7/8 x 4 13/16 in.
image Ohne Titel
Ohne Titel
PaintingOil1925
Sold For
€126,000
October 2023Max Ernst (1891-1976)| Ohne Titel| signé 'max ernst' (en bas à droite)| huile et grattage sur carton| 27.2 x 22 cm.| Peint en 1925| | signed 'max ernst' (lower right)| oil and grattage on board| 10 ¾ x 8 ¾ in.| Painted in 1925|
image Les Deux Oiseaux
Les Deux Oiseaux
PaintingOil1925
Sold For
€226,800
April 2023Max Ernst (1891-1976)| Les Deux Oiseaux| signé 'max ernst' (en bas à droite)| huile et gesso sur papier de verre marouflé sur panneau; dans le cadre d'artiste en liège| Panneau: 26 x 20.5 cm.| Cadre d'artiste: 35.6 x 29.8 cm.| Exécuté vers 1925| | signed 'max ernst' (lower right)| oil and gesso on sandpaper laid down on panel; in the artist’s cork frame| Panel: 10 1/4 x 8 1/8 in.| Artist’s frame: 14 x 11 3/4 in.| Executed circa 1925|
image Soudain II
Soudain II
PaintingOil1960
Sold For
€147,000
June 2015Max Ernst (1891 - 1976) | Soudain II | oil on panel | 24.2 x 33.3 cm ; 9 1/2 x 13 1/8 in. | The fantastic quality and the opulence of colour Ernst witnessed in the mountains and deserts of the American West during the 1940s and early 1950s made a strong impression on him, and he continued to incorporate the aesthetic of desert moonrises and sunsets in the compositions completed after he returned to France. The works that he completed during these years evidence the artist's renewed optimism triggered by Europe's post-war recovery, and the present work can be interpreted in this spirit. In this richly colourful composition, Ernst employs the technique of grattage that he had created during the early days of the Surrealist movement. This process is most evident near the sharp edges delineating where the palette knife had smoothed and scraped the wet paint, sometimes revealing a darker colour beneath the top layer of pigment. As is the case for the present work, Ernst's paintings of the post-war era exhibited a stylistic duality of composition and disintegration - a suitable metaphor for the times.
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