Artists & Brands

ERNST Max

image Germany
1891 - 1976
8 lots
image ERNST Max

Max Ernst (1891–1976) was a German-born artist and one of the most influential figures in Surrealism and Dada. Born in Brühl, Germany, he studied philosophy and psychology before turning to art, experiences that later shaped his fascination with dreams, the unconscious, and irrational imagery. After serving in World War I, Ernst became a founding member of the Cologne Dada group. In the 1920s, he moved to Paris and joined the Surrealists, developing innovative techniques such as frottage (rubbing textures onto paper), grattage (scraping paint), and decalcomania. These methods allowed chance and subconscious processes to guide his work, producing strange, dreamlike landscapes and hybrid creatures. Ernst’s art often combines precise detail with fantastical elements, challenging traditional perceptions of reality. His recurring motifs include birds, forests, and mysterious figures, reflecting his personal symbolism. With the outbreak of World War II, Ernst emigrated to the United States, where he influenced the emerging Abstract Expressionist movement. He later returned to Europe, settling in France. Over his long career, he worked in painting, sculpture, collage, and printmaking. Today, Max Ernst is celebrated as a pioneer who expanded the boundaries of artistic imagination and experimental technique.

image Another Beautiful Morning
Another Beautiful Morning
UncategorizedOil1953
Sold For
$70,400
February 2026Max Ernst|Another Beautiful Morning|1891 - 1976|signed max ernst (lower right); signed max ernst and titled (on the reverse)|oil on Masonite|13 1⁄8 by 10 1⁄8 in.|33.3 by 25.7 cm.|Executed circa 1953.
image Sans titre
Sans titre
Uncategorized1953
Sold For
€66,040
October 2025Max Ernst (1891-1976)| Sans titre| signé et daté ‘max ernst 53’ (en bas à droite)|gouache, frottage et fusain sur papier|21.2 x 15.2 cm.|Exécuté en 1953| |signed and dated 'max ernst 53' (lower right)|gouache, frottage and charcoal on paper |8 ¼ x 6 in. |Executed in 1953|
image Another beautiful morning
Another beautiful morning
UncategorizedOil1953
Sold For
€88,200
April 2025Max Ernst (1891-1976)| Another beautiful morning| signé 'max ernst' (en bas à droite); signé et inscrit 'another beautiful morning max ernst' (au revers)| huile sur Isorel| 33.3 x 25.7 cm. |Peint vers 1953| |signed 'max ernst' (lower right); signed and inscribed 'another beautiful morning max ernst' (on the reverse)|oil on Masonite|13 1⁄8 x 10 1⁄8 in. |Painted circa 1953|
image Coloradeau de Méduse
Coloradeau de Méduse
UncategorizedOil1953
Sold For
£3,065,000
March 2025MAX ERNST (1891-1976)| Coloradeau de Méduse | signed and dated ‘max ernst 53’ (lower right); signed, dated and inscribed ‘COLORADEAU DE MÉDUSE max ernst 53 PARIS’ (on the reverse)| oil and décalcomanie on canvas| 28 ¾ x 36 1⁄8 in. (73 x 91.7 cm.)| Painted in 1953|
image sodaliten schneeberger drückethäler (l’énigme de l’Europe Centrale or always the best man wins)
sodaliten schneeberger drückethäler (l’énigme de l’Europe Centrale or always the best man wins)
Uncategorized1920
Sold For
£781,200
March 2025MAX ERNST (1891-1976)| sodaliten schneeberger drückethäler (l’énigme de l’Europe Centrale or always the best man wins) | signed and dated ‘max ernst / 1920’ (lower right); inscribed ‘always the best man wins / sodaliten schneeberger drückethäler rosinen und mandeln schlagen die eingeborenen mitteleuropas' (along the upper edge of the artist's mount) and inscribed 'zu meerschaum und eilen nach stattgehabter denudation den ereignissen in bester absicht voraus' (along the lower edge of the artist's mount)| gouache, pen and India ink and pencil on a cut out print laid down on the artist's mount| Image: 5 5⁄8 x 8 ½ in. (14.2 x 21.5 cm.)|Artist's mount: 8 3⁄8 x 10 ½ in. (21.4 x 26.7 cm.)| Executed in 1920|
image démonstration hydrométrique à tuer par la température
démonstration hydrométrique à tuer par la température
Painting1920
Sold For
£201,600
March 2024MAX ERNST (1891-1976)| démonstration hydrométrique à tuer par la température | signed and inscribed 'démonstration hydrométrique à tuer par la température / max ernst' (along the lower edge of the artist's mount)| paper collage, gouache, pen and India ink and pencil on paper laid on the artist's mount| Image: 9 3⁄8 x 6 ¾ in. (24 x 17 cm.)| Artist’s mount: 11 ¾ x 8 ¾ in. (29.5 x 22.2 cm.)| Executed in 1920|
image Another beautiful morning
Another beautiful morning
PaintingOil1953
Sold For
€0
March 2022Max Ernst (1891-1976)| Another beautiful morning| signé 'max ernst' (en bas à droite); signé et inscrit 'another beautiful morning max ernst' (au revers)| huile sur isorel| 33.2 x 25.6 cm.| Exécuté vers 1953| | signed 'max ernst' (lower right); signed and inscribed 'another beautiful morning max ernst' (on the reverse)| oil on masonite| 13 1⁄8 x 10 1⁄8 in.| Executed circa 1953|
image Moon II
Moon II
PaintingOil1944
Sold For
£338,500
June 2014Max Ernst (1891 - 1976) | Moon II | oil on canvas | 66 by 80cm. | 26 by 31 1/2 in. | Moon II belongs to a series of nocturnal landscapes that Ernst executed in 1944, inspired by his stay in Arizona the previous summer. The fantastic quality and the opulence of colour he witnessed in the mountains and deserts of the American West made a strong impression on the artist, and are beautifully rendered in the present work in a richly layered composition and a kaleidoscopic colouration. Whilst Ernst executed a number of paintings showing the landscape bathed in bright sunshine (fig. 1), it was in his nocturnal pictures, such as Moon II, that he managed to capture the sublime magic of his surroundings. Ernst and Dorothea Tanning spent the summer of 1943 in Arizona, and Werner Spies described the ranch where they stayed as 'a marvellous spot on the bank of a creek that, fed by the glaciers of the San Francisco Mountains, came rushing down through a canyon (a kind of replica of the Grand Canyon on a human scale) to lose itself in the burning deserts to the south. The first fascinating thing about the place was its abundance of colour [...]. Then there were the rock formations, which resembled a great variety of things' (W. Spies, Max Ernst, A Retrospective (exhibition catalogue), Tate Gallery, London, 1991, p. 323). Discussing Ernst's works inspired by these surroundings, John Russell wrote: 'Arizona offered isolation, a celestial climate, a way of life that was both economical and free from suburban constraints. It offered the inspiration of supreme, natural beauty [...] Few things are more stirring than the fantastic forms and the irrational colouring of the mountains around Sedona. In the mid-1940s life and landscape in that region had an uncorrupted quality which made of Arizona a Promised Land in which a new life could be begun and an old one discarded [...] and although Max Ernst had never been a landscape painter, in the ordinary sense, it was deeply moving for him to come upon a landscape which had precisely the visionary quality that he had sought for on canvas' (J. Russell, Max Ernst: Life and Work, New York, 1967, p. 140).

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